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The staggering range and sheer excellence of the late John Dominis’ pictures — his Korean War coverage; his portraits of pop-culture icons like Sinatra, Redford and McQueen; his beautiful treatment of the “big cats” of Africa; his virile sports photography — place him firmly among the premier photojournalists of the last 75 years. But a lesser-known photo essay that Dominis shot for LIFE magazine, focusing on the plight of Appalachians in eastern Kentucky in the early 1960s, spotlights another aspect of the man’s great talent: namely, an ability to portray the forgotten and the afflicted while never sacrificing the dignity of his subjects.
Dominis, like all the greatest photographers, possessed compassion and talent in equal measure; faced with the world’s ugly realities and inequalities, a furious indignation sometimes flared in the heart behind the lens, while the hands that held the camera remained rock steady.
For example, Dominis shot an extraordinary 12-page feature for the Jan. 31, 1964, issue of LIFE, titled “The Valley of Poverty” — one of the very first substantive reports in any American publication on President Lyndon Johnson’s nascent War on Poverty.
At the time, LIFE was arguably the most influential weekly magazine in the country, and without doubt the most widely read magazine anywhere to regularly publish major photo essays by the world’s premier photojournalists. In that light, LIFE was in a unique position in the early days of Johnson’s administration to not merely tell but to show its readers what was at stake, and what the challenges were, as the new president’s “Great Society” got under way.
“The Valley of Poverty,” illustrated with some of the most powerful and intimate photographs of Dominis’ career, served (and still serves today) as an indictment of a wealthy nation’s indifference, and a plea — if not a demand — that the rest of the country not turn its back on the suffering of so many of its citizens.
As LIFE put it to the magazine’s readers in January 1964: