---
title: Digital Music Revenue Beats Global CD Sales for the First Time Ever
description: A new report from the International Federation of the Phonographic Industry, a recording industry trade association, shows that 2014 was the first year in which worldwide digital music revenue exceeded physical music sales. Streaming services and sales of digital downloads generated $6.85 billion last year, while sales of CDs and LPs took in $6.82 billion.
authors:
  - name: Jacob Davidson
    url: https://money.com/author/jacob-davidson/
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published: '2015-04-15T15:44:07.000Z'
modified: '2024-04-16T05:40:53.000Z'
section: Technology
tags:
  - cd revenue
  - cd sales
  - Digital Music
  - Entertainment
  - Entertainment
  - Media
  - Music
  - Music Industry
  - Spotify
  - streaming
  - Taylor Swift
word_count: 334
canonical: https://money.com/digital-music-revenue-cd-sales/
type: Article
source: structured-blocks
---

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![spotify on cell phone](https://img.money.com/2015/04/150415_em_digimusicsales.jpg)

The CD is one step closer to death.

A new report from the International Federation of the Phonographic Industry, a recording industry trade association, shows that 2014 was the first year in which [digital music revenue exceeded physical music sales.](http://www.nytimes.com/2015/04/15/business/media/global-online-music-sales-slightly-surpass-cds-and-lps.html?_r=1) Streaming services and sales of digital downloads generated $6.85 billion worldwide last year, while sales of CDs and LPs took in $6.82 billion.

The rise of digital music over the last two decades has been extraordinarily painful for the music industry. The IFPI's report also shows overall industry revenue has now fallen below $15 billion. If revenues are adjusted for inflation, that number is roughly 2.5 times less than the recording industry made during the late 1990s, [when revenue approached $40 billion in today's dollars.](http://qz.com/383109/the-music-industry-has-hit-its-rock-bottom/)

The good news for music publishers is that revenues from streaming services like Spotify have continued to expand rapidly. Streaming accounted for almost $1.6 billion in revenue for the industry, up 39% year-over-year, [and streaming services now claim about 140 million users.](http://www.reuters.com/article/2015/04/14/us-music-industry-idUSKBN0N51OV20150414) Back in March, the Recording Industry Association of America reported streaming and downloads together accounted for 64% of the total U.S. music market, with [streaming revenue passing CD sales alone for the first time](https://time.com/3750308/music-digital-downloads-sales-streaming-revenue/).

Downloads still make up slightly more than half of digital revenue both internationally and domestically, but that may soon change. Edgar Berger, CEO of Sony Music Entertainment International, [told the *Telegraph*](http://www.telegraph.co.uk/finance/newsbysector/mediatechnologyandtelecoms/11535355/Digital-music-revenues-overtake-physical-sales-for-the-first-time.html) that streaming had already overtaken digital downloads in 37 markets.

Despite the streaming market's lucrative prospects, some artists have revolted against the prevailing ad-supported model, which allows customers to listen in for free. Taylor Swift has been especially vocal, [pulling her music from Spotify in protest of the service's free tier](https://money.com/taylor-swift-1989-spotify-losing-battle/). In March, Jay Z announced Tidal, a new pay-only streaming service that [seeks to place pricing power back in the hands of artists.](http://fortune.com/2015/03/31/jay-z-tidal/) However, reviews of Tidal [have been largely negative](https://time.com/3765268/tidal-music-jay-z-beyonce/), and Swift's battle against Spotify [may ultimately prove unwinnable](https://money.com/taylor-swift-1989-spotify-losing-battle/) as streaming comes to further dominate how we listen to music.

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